Télé-Bingo Mutations: Signals from the Montréal Underground
Axioms of Vision
Weird, Weirder, Weirdest: Experiments in Pedagogy
Correspondance/Correspondence MCR-MTL [co-curated with Sam Meech]
Words Before All Else: Oral Traditions in the Digital Age [co-curated with Jenny Western]
From A to Z [co-curated with Madi Pillar]
If You’re Seeing This It’s Too Late: Moving Images from Toronto (and Beyond)
Experimental Classics from the Cinematic Cesspool
Electronic Weavings: The Videos of Nathalie Bujold
Shock, Fear and Belief: The Films and Videos of Madi Piller [co-curated with Mike Hoolboom]
Beneath the Tower: Moving Images from Toronto [co-curated with Leslie Supnet]
Basement Revolutionaries [co-curated with Amber Christensen]
Magnetic Spasms: The Best of Hymn Videozine
Northern Light: New Experimental Works for the Great White North [co-curated with Leslie Supnet]
Nothing Means Nothing: A Selection of Recent Found Footage Works [co-curated with Leslie Supnet]
Parking at a Bargain: Moving Images from Winnipeg, Manitoba [co-curated with Leslie Supnet]
Tales from the Northern Underground
Code in Motion: Early Computer Animation
Short Sentences (+ other discursive formations)
The Commute [co-curated with Scott Birdwise]
Burning Down the Suburbs [co-curated with Scott Birdwise]
Sliding off the Edge of the World
Bonus Stage 2: F@n F-ck3ry [co-curated with Skot Deeming]
Awaiting the End of the Beginning
Stranger Comes to Town: Identity and the Avatar
City Sympathy: Cinematic Visions from Winnipeg, Manitoba [co-curated with Leslie Supnet]
Code In Motion: Early Computer Animation
Death by VHS: New Cinematic Discoveries from Winnipeg, Manitoba [co-curated with Leslie Supnet]
2010 Was the World of the Future
The Poetry of Logical Ideas: Mathematics in Film
Regional Support Network
Regional Support Network [Clint Enns & Leslie Supnet] was a nomadic screening series started in Toronto, Ontario out of a desire to show experimental moving images from other cities unmediated by a Toronto curatorial lens. The series ran from 2014-2017 and in this chapbook.
Vector Festival
Vector Festival was created by Skot Deeming, kris kim, Katie Micak, and myself in 2013. The inaugural edition of Vector Game + Art Convergence ran for five days featuring more than seventy artists, scholars, and makers participated in our multi-venue programming, which included:
3 exhibitions
5 screenings
3 panel discussions
2 evenings of live performance and
4 workshops.
The flagship exhibition Other Worlds was curated by Prosthetic Knowledge and mrghosty (Skot Deeming) while net.works and Ludacy were curated collectively. I was mainly responsible for programming the screening component of the festival, but collectively we all helped to install the work and to make the festival run smoothly. I continued to program the screening component of the festival until 2018, co-programming with Amber Christensen in 2016 and Jenny Western in 2018.
Language Formed in Light
Language Formed in Light was a screening series I created, presented by PLATFORM centre for photographic + digital arts in Winnipeg, Manitoba in 2010. The series consisted of solo screenings by Shana Moulton, Ben Russell, Michael Robinson, Barry Doupé & Aleesa Cohene.
In Uptown Magazine (December 29, 2011), Steven Leyden Cochrane wrote a short review of Language Formed in Light in an article titled “Think outside the canvas”:
“Any selection of experimental films touted to explore issues of narrative touches upon two of my most cherished bigotries — toward “experimental film” itself and against the cloying, characteristically Canadian preoccupation with telling (or not-telling) stories. But here was a series of screenings, curated by Clint Enns and humanely spread out over several weeks, that elegantly argued the merits of both. Should Enns ever tackle neo-Surrealist figurative painting or new-agey performance art, I’d have to find new things to hate.”